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This book broadens the scope of Latina/o criticism to include both widely-read and understudied nineteenth through twenty-first century fictional works that engage in critical discussions of gender, race, sexuality, and identity. The essays in this collection do not simply seek inclusion for the texts they critically discuss, but suggest that we more thoughtfully consider the utility of mapping, whether we are mapping land, borders, time, migration, or connections and disconnections across time and space. Using new and rigorous methodological approaches to reading Latina/o literature, contributors reveal a varied and textured landscape, challenging us to reconsider the process and influence of literary production across borders.

Rigoberto González, author of the critically acclaimed memoir Butterfly Boy: Memories of a Chicano Mariposa, takes a second piercing look at his past through a startling new lens: hunger. The need for sustenance originating in childhood poverty, the adolescent emotional need for solace and comfort, the adult desire for a larger world, another lover, a different body--all are explored by González in a series of heartbreaking and poetic vignettes. Each vignette is a defining moment of self-awareness, every moment an important step in a lifelong journey toward clarity, knowledge, and the nourishment that comes in various forms--even "the smallest biggest joys" help piece together a complex portrait of a gay man of color who at last defines himself by what he learns, not by what he yearns for. Bill Whitehead Award for Lifetime Literary Achievement, Publishing Triangle "Told in a series of revealing vignettes and poems, González's Autobiography of my Hungers turns moments of need and want into revelations of truth and self-awareness, creating the portrait of an artist that is complex if not entirely complete."--El Paso Times "Through his provocative vignettes, González communicates a lifetime of struggle for affirmation and self-acceptance."--Make/Shift 

Black and Brown in Los Angeles is a timely and wide-ranging, interdisciplinary foray into the complicated world of multiethnic Los Angeles. The first book to focus exclusively on the range of relationships and interactions between Latinas/os and African Americans in one of the most diverse cities in the United States, the book delivers supporting evidence that Los Angeles is a key place to study racial politics while also providing the basis for broader discussions of multiethnic America. Students, faculty, and interested readers will gain an understanding of the different forms of cultural borrowing and exchange that have shaped a terrain through which African Americans and Latinas/os cross paths, intersect, move in parallel tracks, and engage with a whole range of aspects of urban living. Tensions and shared intimacies are recurrent themes that emerge as the contributors seek to integrate artistic and cultural constructs with politics and economics in their goal of extending simple paradigms of conflict, cooperation, or coalition. The book features essays by historians, economists, and cultural and ethnic studies scholars, alongside contributions by photographers and journalists working in Los Angeles.

Heartbreaking, poetic, and intensely personal, Butterfly Boy is a unique coming out and coming-of-age story of a first-generation Chicano who trades one life for another, only to discover that history and memory are not exchangeable or forgettable.  Growing up among poor migrant Mexican farmworkers, Rigoberto González also faces the pressure of coming-of-age as a gay man in a culture that prizes machismo. Losing his mother when he is twelve, González must then confront his father's abandonment and an abiding sense of cultural estrangement, both from his adopted home in the United States and from a Mexican birthright. His only sense of connection gets forged in a violent relationship with an older man. By finding his calling as a writer, and by revisiting the relationship with his father during a trip to Mexico, González finally claims his identity at the intersection of race, class, and sexuality. The result is a leap of faith that every reader who ever felt like an outsider will immediately recognize. 2007 Finalist, Randy Shilts Awards for Gay Nonfiction, Publishing Triangle   Winner, American Book Awards, Before Columbus Foundation

El libro que presentamos son las actas del Sexto Congreso internacional de Estudios Culturales Latinoamericanos, auspiciado por el Departamento de Lenguas y Literaturas Hispánicas de la Universidad de Pittsburgh. Este recoge versiones revisadas en casi su totalidad de las ponencias presentadas en además de reflexiones de los que fueron los comentaristas y moderadores de las sesiones: Gabriel Giorgi, Jesús Jambrina, Marcia Ochoa, José Quiroga y Laura Gutiérrez. Estas reflexiones sirven para dar idea de lo que fueron los debates que surgieron durante el evento, y hacen un balance sobre los discutido y lo que queda como puntos álgidos de los estudios queer latinoamericanos. ~ The book that we present contains the proceedings of the Sixth International Congress of Latin American Cultural Studies, sponsored by the Department of Hispanic Languages and Literatures of the University of Pittsburgh. It includes almost all revised versions of the papers presented in addition to the remarks of the commentators and moderators of the sessions: Gabriel Giorgi, Jesús Jambrina, Marcia Ochoa, José Quiroga and Laura Gutiérrez. These remarks provide insight into the debates that arose during the event, and take stock of those discussions and what is now viewed as high points in Latin American queer studies.

In the twenty-first century, fatherhood is shifting from simply being a sidekick in the parental team to taking center stage with new expectations of involvement and caretaking. The social expectations of fathers start even before the children are born. Mr. Mom is now displaced with fathers who don't think of themselves as babysitting their own children, but as central decision makers, along with mothers, as parents. Deconstructing Dads: Changing Images of Fathers in Popular Culture is an interdisciplinary edited collection of essays authored by prominent scholars in the fields of media, sociology, and cultural studies who address how media represent the image of the father in popular culture. This collection explores the history of representation of fathers like the "bumbling dad" to question and challenge how far popular culture has come in its representation of paternal figures. Each chapter of this book focuses on a different aspect of media, including how advertising creates expectations of play and father, crime shows and the new hero father, and men as paternal figures in horror films. The book also explores changing definitions of fatherhood by looking at such subjects as how the media represents sperm donation as complicating the definition of father and how specific groups have been represented as fathers, including gay men as dads and Latino fathers in film. This collection examines the media's depiction of the "good" father to study how it both challenges and reshapes the ways in which we think of family, masculinity, and gender roles.

Drifting Toward Love tells the stories of Manny, Julius, Carlos, and their friends, young gay men of color desperately searching for life's basic necessities: homes that provide more than shelter and security against more than violence or disease. As these teenagers navigate the rocky waters of adolescence, they wade through pains and passions that are typical of any young person coming of age. But they do so with few resources-material or emotional-in a world where the cards are stacked against their success. Journalist Kai Wright paints vivid, intimate portraits of these young men's sometimes tragic, often heroic lives. Manny is a working-class city kid making awkward teenage discoveries about his sexuality. In a troubled relationship with his mother and a stifling, combative school environment, he clumsily elbows out enough space to find himself. In the process, he and best friend Jason move from a budding love based on videogames and music to a troubled bond held together by drugs and sex for money. In one devastating instant, Manny will realize the demons Jason truly faces. Out of the wreckage of the life he builds with Jason, Manny drifts into an explosive social movement, fighting for public space for queer youth, and finds his calling as an activist. Julius's story, meanwhile, is a classic New York tale: a young, dynamic gay man flees his rural home, seeking freedom in the big city. With no one to help guide his journey in New York, however, Julius never finds his footing, tumbling rapidly through homelessness, hustling, and drug abuse. He gradually confesses that his primary goal remains elusive: discovering love, and holding on to it. Wright finds Julius in a gay-friendly shared house in a rough spot on the east side of Brooklyn. Carlos considers that same house a lifesaver, an unlikely safe haven in the middle of his childhood neighborhood, but he must balance his efforts at independence with the growing demands of his large Puerto Rican family, in which he serves as the lynchpin. In Drifting Toward Love, Wright tells these stories and more, weaving in years of reporting on the broader social, economic, and political dynamics that box in gay men of color as they come into their own. By the end, a powerful and sometimes troubling story has unfurled that offers a unique and vital snapshot of the often overlooked lives of young people like Manny, Julius, Carlos, and their friends. Kai Wright is a writer and editor living in Brooklyn, New York. His writing has appeared in Essence, Mother Jones, The Progressive, and the Village Voice. He is also publications editor for the Black AIDS Institute and author of two previous books on African American history.

El ambiente nuestro examines in unprecedented depth homoerotic issues in the writing of such authors as John Rechy, Michael Nava, Francisco Alarc'n, and Richard Rodriguez. David William Foster explores the important body of writing on these issues that began with John Rechy's founding texts of Chicano narrative and continues with more recent works such as Jaime Manrique's Eminent Maricones.

For All of Us, One Todayis a fluid, poetic story anchored by Richard Blanco's experiences as the inaugural poet in 2013, and beyond. In this brief and evocative narrative, he shares for the first time his journey as a Latino immigrant and openly gay man discovering a new, emotional understanding of what it means to be an American. He tells the story of the call from the White House committee and all the exhilaration and upheaval of the days that followed. He reveals the inspiration and challenges behind the creation of the inaugural poem, "One Today," as well as two other poems commissioned for the occasion ("Mother Country" and "What We Know of Country"), published here for the first time ever, alongside translations of all three of those poems into his native Spanish. Finally, Blanco reflects on his life-changing role as a public voice since the inauguration, his spiritual embrace of Americans everywhere, and his vision for poetry's new role in our nation's consciousness. Like the inaugural poem itself, For All of Us, One Today speaks to what makes this country and its people great, marking a historic moment of hope and promise in our evolving American landscape. In 2017, U2 isfeaturing "One Today" during their Joshua Tree tour throughout the United States and Europe. The poem will be projected on the stage screens as people enter the stadium to reflect and discuss America and the American experience. 2014 International Latino Awards Winner- Best Biography - Spanish or Bilingual

Prepare yourself to dance in a disco in Silver Lake, check out papis in Orchard Beach, cross the border from Guatemala to Mexico on your way to the U.S., see a puro macho bathe in a river in Puerto Rico, make love under a full moon in the Dominican Republic, sigh at a tender moment in an orange grove in Lindsay, visit a panaderia in Kansas, see a full blown birthday party in Juarez, and be seduced by a young artist in the South Bronx. These are some of the stories in this collection of thirty gay Latino writers from around the United States. There are ''don't mess with me''' divas, alluring bad boys, and sexy teenagers, but also empowered youth for whom being queer is not a question and a family that grows wings on their heads. The infectious rhythms of House music in New York City are adjacent to cumbia in Mexico, next to reggaeton in Puerto Rico, alongside Latin pop in L.A. and merengue in an east coast city. But the spectrum of experiences and emotions that inhabit our days gives these stories dimension and gay/queer Latinos a common ground. The stories are vibrantly varied and clearly connected in this ''era of lost signals'' in which we live.

Gay Hegemony/ Latino Homosexualities is an interdisciplinary project that weaves ethnographic interviewing with the analysis of texts and material culture to study the intersection of gayness with Latinidad.

A three-volume set, The Global Encyclopedia of Lesbian, Gay, Bisexual, and Transgender History (Charles Scribner's Sons) will provide a global view of the history of LGBTQ, covering significant figures and events worldwide. Wide-ranging in scope, this encyclopedia complements courses in a variety of disciplines, including history, literature, psychology, sociology and others. This title is being created under an international editorial board, led by Howard Chiang (University of California, Davis).

Dreamers and their allies, those who care about immigration justice, and anyone interested in the experience of Mexicans in the US will respond to these stories of Mexican immigrants (some documented, some not) illuminating their complex lives. Regardless of status, many are subjected to rights violations, inequality, and violence--all of which existed well before the Trump administration--and have profound feelings of being unwanted in the country they call home. There's Monica Robles, the undocumented mother of three US citizens who is literally confined to a strip of territory between two checkpoints--one at the Mexico border and one twenty-seven miles north of the border. We meet Jeanette Vizguerra, who came to symbolize the sanctuary movement when she took shelter in a Denver church in February 2017 to avoid deportation. (Later that year, Time magazine named her one of the one hundred most influential people in the world.) There's Daniel Rodriguez, the first undocumented immigration lawyer in Arizona to successfully obtain a license to practice. Alberto Mendoza, who suffered persecution as a gay man for years, in 2013 founded Honor 41, a national Latina/o LGBTQ organization that promotes positive images of their community. After crossing the border illegally with his mother as a child, Al Labrada later joined the military to get on a path to citizenship; in March 2017, he was promoted to captain in the Los Angeles Police Department. These and eight other stories will broaden how you think about Mexicans in America.

Offering a critical introduction into LGBT (lesbian, gay, bisexual and transgender) transnational identity in the media, this book examines performances and representations within documentary and fiction oriented texts. An interdisciplinary approach is put forward, revealing new potentials for non western queer identity.

American public opinion tends to be sticky. Although the news cycle might temporarily affect the public's mood on contentious issues like abortion, the death penalty, or gun control, public opinion toward these issues has remained remarkably constant over decades. There are notable exceptions, however, particularly with regard to divisive issues that highlight identity politics. For example, over the past three decades, public support for same-sex marriage has risen from scarcely more than a tenth to a majority of the population. Why have people's minds changed so dramatically on this issue, and why so quickly? It wasn't just that older, more conservative people were dying and being replaced in the population by younger, more progressive people; people were changing their minds. Was this due to the influence of elite leaders like President Obama? Or advocacy campaigns by organizations pushing for greater recognition of the equal rights of Lesbian, Gay, Bisexual, and Transgender (LGBT) people? Listen, We Need to Talk tests a new theory, what Brian Harrison and Melissa Michelson call The Theory of Dissonant Identity Priming, about how to change people's attitudes on controversial topics. Harrison and Michelson conducted randomized experiments all over the United States, many in partnership with equality organizations, including Equality Illinois, Georgia Equality, Lambda Legal, Equality Maryland, and Louisiana's Capital City Alliance. They found that people are often willing to change their attitudes about LGBT rights when they find out that others with whom they share an identity (for example, as sports fans or members of a religious group) are also supporters of those rights-particularly when told about support from a leader of the group, and particularly if they find the information somewhat surprising. Fans of the Green Bay Packers football team were influenced by hearing that a Packers Hall-of-Famer is a supporter of LGBT rights. African Americans were influenced by hearing that the Black president of the United States is a supporter. Religious individuals were influenced by hearing that a religious leader is a supporter. And strong partisans were influenced by hearing that a leader of their party is a supporter. Through a series of engaging experiments and compelling evidence, Listen, We Need to Talk provides a blueprint for thinking about how to bring disparate groups together over contentious political issues.

Whether straight, bisexual, closeted or openly gay, Latino voices have made a deep mark in the poetry scene. Despite distinction in style, dialect, and customs within the Latino mosaic, our voices have been unified by a determination to be heard. Much like poetry in general, whether academic or self-taught, the need to express ourselves cannot be restricted within borders. Whatever language transferred between pen and paper, it is imperative to share our experiences with the world at large. Mariposas: A Modern Anthology of Queer Latino is a ground-breaking poetry collection edited by Emanuel Xavier. The collection features the work of 17 poets from across the United States and Buenos Aires including: Francisco Aragon, Lorenzo Herrera y Lozano, Brandon Lacy Campos, Dino Foxx, Andres "Chulisi" Rodriguez, Urayoan Noel, Yosimar Reyes, Robert Ortiz, Walter Viegas, Joe Jimenez, Will Sierra, Rane Arroyo, Pol Ajenjo, Daniel Torres, Carlos T. Mock, M.D., Xuan Carlos Espinoza-Cuellar and Emanuel Xavier. Featured poems are published in English and Spanglish with several translated into or from Spanish.

In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.

A poignant, hilarious, and inspiring memoir from the first Latino and openly gay inaugural poet, which explores his coming-of-age as the child of Cuban immigrants and his attempts to understand his place in America while grappling with his burgeoning artistic and sexual identities. Richard Blanco's childhood and adolescence were experienced between two imaginary worlds: his parents' nostalgic world of 1950s Cuba and his imagined America, the country he saw on reruns of The Brady Bunch and Leave it to Beaver--an "exotic" life he yearned for as much as he yearned to see "la patria." Navigating these worlds eventually led Blanco to question his cultural identity through words; in turn, his vision as a writer--as an artist--prompted the courage to accept himself as a gay man. In this moving, contemplative memoir, the 2013 inaugural poet traces his poignant, often hilarious, and quintessentially American coming-of-age and the people who influenced him. A prismatic and lyrical narrative rich with the colors, sounds, smells, and textures of Miami, Richard Blanco's personal narrative is a resonant account of how he discovered his authentic self and ultimately, a deeper understanding of what it means to be American. His is a singular yet universal story that beautifully illuminates the experience of "becoming;" how we are shaped by experiences, memories, and our complex stories: the humor, love, yearning, and tenderness that define a life. 

A collection of sixteen unique and honest conversations you won't read anywhere else...Mixed-race queer art activist Nia King left a full-time job in an effort to center her life around making art. Grappling with questions of purpose, survival, and compromise, she started a podcast called We Want the Airwaves in order to pick the brains of fellow queer and trans artists of color about their work, their lives, and "making it" - both in terms of success and in terms of survival. In this collection of interviews, Nia discusses fat burlesque with Magnoliah Black, queer fashion with Kiam Marcelo Junio, interning at Playboy with Janet Mock, dating gay Latino Republicans with Julio Salgado, intellectual hazing with Kortney Ryan Ziegler, gay gentrification with Van Binfa, getting a book deal with Virgie Tovar, the politics of black drag with Micia Mosely, evading deportation with Yosimar Reyes, weird science with Ryka Aoki, gay public sex in Africa with Nick Mwaluko, thin privilege with Fabian Romero, the tyranny of "self-care" with Lovemme Corazón, "selling out" with Miss Persia and Daddie$ Pla$tik, the self-employed art activist hustle with Leah Lakshmi Piepzna-Samarsinha, and much, much more. Welcome to the future of QPOC art activism.

Queering Mestizaje employs theories of postcolonial cultural studies (including performance studies, queer and feminist theory) to examine the notion of mestizaje---the mixing of races, and specifically indigenous peoples, with European colonizers---and how this phenomenon manifests itself in three geographically diverse spaces: the United States, Latin America, and the Philippines. Alicia Arrizón argues that, as an imaginary site for racialized, gendered, and sexualized identities, mestizaje raises questions about historical transformation and cultural memory across Spanish postcolonial sites. Arrizón offers new, queer readings of the hybrid, the intercultural body, and the hyphenated self, building on the work of Gloria Anzaldúa, Antonio Benitez-Rojo, Walter Mignolo, and Vera Kutzinski, while challenging accepted discourses about the relationship between colonizer and colonized. Queering Mestizaje is unique in the connections it makes between the Spanish colonial legacy in the Philippines and in the Americas. An engagingly eclectic array of cultural materials---including examples from performance art, colonial literature, visual art, fashion, and consumer products---are discussed, and included in the book's twenty-nine illustrations. "Arrizón takes as her point of departure the connections and distinctions between the four keywords in the title (each with a long, specific, and convoluted history in its own right) while bringing together the Philippines, the Hispanophone Caribbean, and the United States to configure a map carved by the same blade of colonialism and imperialism. In its conjoining of queer, mestizaje, transculturation and performance, the pleasurable and enlightening variety of its textual examples, and its commitment to theorize desire from the space of queer mestizaje, her book makes a unique and accomplished contribution." ---Yvonne Yarbro-Bejarano, Stanford University Alicia Arrizón is Professor of Women's Studies at the University of California, Riverside. She is author of Latina Performance: Traversing the Stage and co-editor of Latinas on Stage: Practice and Theory. Illustration: Judith F. Baca, La Mestizaje (1991), pastel on paper. © SPARC.

An examination into queer identity in relation to Latino/a America According to the 2000 census, Latinos/as have become the largest ethnic minority group in the United States. Images of Latinos and Latinas in mainstream news and in popular culture suggest a Latin Explosion at center stage, yet the topic of queer identity in relation to Latino/a America remains under examined. Juana María Rodríguez attempts to rectify this dearth of scholarship in Queer Latinidad: Identity Practices, Discursive Spaces, by documenting the ways in which identities are transformed by encounters with language, the law, culture, and public policy. She identifies three key areas as the project's case studies: activism, primarily HIV prevention; immigration law; and cyberspace. In each, Rodríguez theorizes the ways queer Latino/a identities are enabled or constrained, melding several theoretical and methodological approaches to argue that these sites are complex and dynamic social fields. As she moves the reader from one disciplinary location to the other, Rodríguez reveals the seams of her own academic engagement with queer latinidad. This deftly crafted work represents a dynamic and innovative approach to the study of identity formation and representation, making a vital contribution to a new reformulation of gender and sexuality studies.

Emmigration from Latin America and Asia has influenced every aspect of social, political, economic, and cultural life in the United States over the last quarter century. Within the vast scholarship on this wave of immigration, however, little attention has been paid to queer immigrants of color. Focusing particularly on migration from Mexico, Cuba, El Salvador, and the Philippines, Queer Migrations brings together scholars of immigration, citizenship, sexuality, race, and ethnicity to provide analyses of the norms, institutions, and discourses that affect queer immigrants of color, also providing ethnographic studies of how these newcomers have transformed established immigrant communities in Miami, San Francisco, and New York.

As individuals who historically have faced multiple forms of oppression, queer people of color often find themselves struggling to "fit in." What impact does this have on their sociopolitical involvement within their communities of color? Within the queer community? And to what effect? Based on one of the largest surveys to date of African American, Latina/o, Asian American, and Pacific Islander American LGB people, this book offers a unique angle through which to examine belonging, and its converse, within marginalized communities. CONTENTS: * Community Connection Among Queer People of Color. * Black Communities. * Latinx Communities. * Asian and Pacific Islander Communities. * Looking at the Big Picture.

From the colonial period to independence and into the twenty-first century, Latin American culture has been mapped as a subordinate "other" to Europe and the United States. This collection reconsiders geographical space and power and the ways in which theatrical and performance histories have been constructed throughout the Americas. Essays bridge political, racial, gender, class, and national divides that have traditionally restricted and distorted our understanding of Latin American theatre and performance. Contributors--scholars and artists from throughout the Americas, including well-known playwrights, directors, and performers--imagine how to reposition the Latina/o Americas in ways that offer agency to its multiple peoples, cultures, and histories. In addition, they explore the ways artists can create new maps and methods for their creative visions.   Building on hemispheric and transnational models, this book demonstrates the capacity of theatre studies to challenge the up-down/North-South approach that dominates scholarship in the United States and presents a strong case for a repositioning of the Latina/o Americas in theatrical histories and practices.  

The first anthology to focus exclusively on queer readings of Spanish, Latin American, and US Latina lesbian literature and culture, Tortilleras interrogates issues of gender, national identity, race, ethnicity and class to show the impossibility of projecting a singular Hispanic or Latina Lesbian. Examining carefully the works of a range of lesbian writers and performance artists, including Carmelita Tropicana and Christina Peri Rossi, among others, the contributors create a picture of the complicated and multi-textured contributions of Latina and Hispanic lesbians to literature and culture. More than simply describing this sphere of creativity, the contributors also recover from history the long, veiled existence of this world, exposing its roots, its impact on lesbian culture, and, making the power of lesbian performance and literature visible.

2022 International Latino Book Award Finalist for Best LGBTQ Studies Book Within a trans-embodied framework, this anthology identifies transmovimientos as the creative force or social mechanism through which queer, trans, and gender nonconforming Latinx communities navigate their location and calibrate their consciousness. This anthology unveils a critical perspective with the emphasis on queer, trans, and gender nonconforming communities of immigrants and social dissidents who reflect on and write about diaspora and migratory movements while navigating geographical and embodied spaces across gendered and racialized contexts, all crucial elements of the trans-movements taking place in the United States. This collection forms a nuanced conversation between scholarship and social activism that speaks in concrete ways about diasporic and migratory LGBTQ communities who suffer from immoral immigration policies and political discourses that produce untenable living situations. The focal point of analysis throughout Transmovimientos examines migratory movements and anti-immigrant sentiment, homophobia, and stigma toward people who are transgender, immigrants, and refugees. These deliberate consciousness-based expressions are designed to realign awareness about the body in transit and the diasporic experience of relocating and emerging into new possibilities.

From its sweaty beats to the pulsating music on the streets, Latin/o America is perceived in the United States as the land of heat, the toy store for Western sex. It is the territory of magical fantasy and of revolutionary threat, where topography is the travel guide of desire, directing imperial voyeurs to the exhibition of the flesh. Jose Quiroga flips the stereotype upside down: he shows how Latin/o American lesbians and gay men have consistently eschewed notions of sexual identity for a politics of intervention. In Tropics of Desire, Quiroga reads hesitant Mexican poets as sex-positive voices, he questions how outing and identity politics can fall prey to the manipulations of the state, and explores how invisibility has been used as a tactical tool in opposition to the universal imperative to come out. Drawing on diverse cultural examples such as the performance of bolero and salsa, film, literature, and correspondence, and influenced by masters like Roland Barthes, Walter Benjamin and a rich tradition of Latin American stylists, Quiroga argues for a politics that denies biological determinism and cannibalizes cultural stereotypes for the sake of political action.

In Unruly Visions Gayatri Gopinath brings queer studies to bear on investigations of diaspora and visuality, tracing the interrelation of affect, archive, region, and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry, and photography, these cultural forms--which Gopinath conceptualizes as aesthetic practices of queer diaspora--reveal the intimacies of seemingly disparate histories of (post)colonial dwelling and displacement and are a product of diasporic trajectories. Countering standard formulations of diaspora that inevitably foreground the nation-state, as well as familiar formulations of queerness that ignore regional gender and sexual formations, she stages unexpected encounters between works by South Asian, Middle Eastern, African, Australian, and Latinx artists such as Tracey Moffatt, Akram Zaatari, and Allan deSouza. Gopinath shows how their art functions as regional queer archives that express alternative understandings of time, space, and relationality. The queer optics produced by these visual practices creates South-to-South, region-to-region, and diaspora-to-region cartographies that profoundly challenge disciplinary and area studies rubrics. Gopinath thereby provides new critical perspectives on settler colonialism, empire, military occupation, racialization, and diasporic dislocation as they indelibly mark both bodies and landscapes.